Drawlllllll.

Went to Alia's to draw on Saturday morning - had a great model. Here's the sketch I came up with:

Sketch by me. Thanks to Alia for hosting - this is one of the things I'll miss when we move!

Monster in the neighborhood.

So I came home from work this evening and found this out my window in the parking lot behind our apartment:

Perhaps you've heard of the Barrel Monster incident here in Raleigh from earlier this year? Well, as I guessed in this post, we are indeed neighbors of Joseph Carnevale, the guy who created the original barrel monster. The pic above is of his most recent creation, being built for this year's SparkCon event, a celebration of creativity and such held annually here in Raleigh. So, apparently this is a work-in-progress, a giant barrelosaurus of some sort... you can read more about it here. And go check it out in its finished form at SparkCon this weekend, if you're around Raleigh. In the meantime, the neighborhood kids are getting a sneak preview right in their own backyard, so to speak, as am I:

Carnevale, at right, with barrelosaurus-in-progress and interested neighborhood kids

Location, location, location.

As we gear up for another relocation this fall, eventually, hopefully, we've been a tad busy. Sigh. In between some brief forays into printmaking, I have had some time to work on a few Fabrication paintings... here's one of the latest:

here's looking at..., diptych (each panel 20" x 10"), oil on printed fabric, 2009, by me, Diane Feissel

The sound of silence.

Sorry for the long absence... been working on stuff. Art stuff, to be slightly more specific. Here's a snippet from something I'm working on but may never finish until I'm old(er) and (more) withered:

...a work in progress by me, Diane Feissel, featuring Huey and Fanny. It's in oil on printed fabric, fabric I procured at an adorable little fabric shop in San Francisco which, alas, is around no longer - likely a casualty of the recession. Sigh.

The little prints.

Last weekend I embarked upon an adventure into printmaking. To be specific, an adventure into monotype – or so I'm told. I'm new to this whole printmaking thing... I find it very intimidating, somehow – it seems oddly unforgiving. For example: you can make a gross mistake and then WHAMMO, that mistake is permanently imprinted onto paper. I think I can say this was pretty much the case for my very first print, and those thereafter as well. But it was fun... trying? I think? I think part of my issue is my aversion to bad drawing, and I did some very bad drawing in the course of making these prints. Part of the issue for me is this: in the same way that I would be really bad at watercolor painting and working light-to-dark, I am reeeeally quite unskilled at working reductively (or "subtractively"), I've noticed – pulling out the lights from a plate full of dark ink. Eeesh. My customary habit with oil painting involves thinking and applying paint from dark tones to light tones, and it appears my brain is stuck that way. Well, for better or for worse, here are some of the results, in keeping with the theme of "Painters Under Pressure" – the title of the show for which I was making these prints - I was definitely feeling the pressure. Ungh. Stay tuned for more info on the exhibit, which will be in Raleigh next month.

My first and second attempts at monotype, respectively. AAAUUUUGHHH!!!!

Joyeux Noel.

Oh hey, when I wrote the recent post about our time in Philadelphia, I forgot to mention one of the best things about the trip – bringing home a pastel painting by fantastic Philadelphia-based artist Scott Noel. Yay! Here it is:

Pastel painting by Philadelphia artist Scott Noel

The central figure is me, actually, circa mid-nineties. So, hey! There's some vintage Feissel for you, right there (actually, back when I was still a Rollins). Anyway, Scott is one of the nicest people on earth and a tremendous artist - he shows through Gross McCleaf Gallery in Philadelphia, check his work out if you're in town. He also teaches at the Pennsylvania Academy of Fine Arts in Philadelphia, and at some point someone has captured some of his thoughts on painting and the like and posted a video to YouTube, here's a sample:

York, New.

New York recap!! Finally!

It was brief, less than 30 hours, most of it spent in the northern suburbs. But it was pleasant, quite pleasant. First up: The Female Gaze... thanks to the heads-up from the blog of artist Nathalie Vogel, I decided to check out the exhibition entitled The Female Gaze: Women Look At Women at Cheim & Read in Chelsea (kind of right up the alley of the whole "Women Painting Women" blog, no?) Except of course it included other media than just painting, and the painting is what I tend to get the most excited about, so there you have it... case in point, the following Alice Neel painting:

Or this painting by an artist previously unknown to me, Judith Eisler:

You can see more of the show in the gallery's slide show here as there were plenty of C-prints and some sculptural pieces and mixed-media art and even neon (!) and so forth. I'm still up in the air as to the exact difference between the end product of the male gaze vs. the female gaze (as I touched upon in this post) - but still, without question, it's good to see some interesting work by female artists... especially considering that there still seems to be a depressing dearth of representation by women artists in galleries. Sigh. Also in the realm of the arts (which good ole NYC pours forth by the bucketful, swoon) was a lovely little trip to the Frick Collection, which I have not visited since the mid-nineties. Now unfortunately, there was no photography allowed... so I will be forced to steal from the Frick website to share with you some of my favorites, including some more Whistlers (I had no idea this vacation northward would be so full of Whistler – but I see this as a good thing. A very good thing). The following was one of my faves:

Painting by James McNeill Whistler: Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland, 1871–74, oil on canvas, found at the The Frick Collection

For sure it has a different feel from the Whistler (and of course hails from a much earlier century), but I also found seeing this painting in-person to be very satisfying:

Painting by Hans Holbein, the Younger - Sir Thomas More, 1527, oil on oak panel, found at the The Frick Collection.

Also art-related: I got to reunite with one of my own paintings on this trip – it probably goes without saying that it was not in the Frick Collection, however. Sigh. Here it is:

Iris painting by me, Diane Feissel

And now for some family: here's John with the lovely Ruth:

And here's Max and Ruth together, a wonderful couple:

I know I'm stating a well-worn cliché, but I ♥ NYC! And I love a city with a subway! Sigh. Anyway, more on life back in Raleigh soon. Phew!